Tuesday 25 June 2013

Solo Male Singers in Glasgow This Week What I Have Seen

Live Review: Dick Gaughan, Cottiers, Glasgow and Momus, The Poetry Club, Glasgow

In the week when Robbie is playing two nights at Hampden there has been a more varied selection of menfolk singing in Glasgow worth seeing. Over three nights I have seen three men perform with a combined age of 181 years. Does this mean I am officially no longer down with kids?
First up was 63 year old Bruce Springsteen strutting his stuff for 17 hours on stage at Hampden.
Then two days later I stumbled across 65 year old Dick Gaughan playing at Cottiers on Thursday 20th of June. When I say "stumbled across" I mean it literally, as I bought a ticket after passing him puffing away on a fag at the stage door as I was walking home. I was sorry to miss him at a recent Celtic Connections Spanish Civil War concert due to him having a sore throat.

Dick Gaughan in Cottiers
I first came across him when he was part of a Scottish delegation to Moscow that I was part of as a youth. He kindly took me under his wing a bit when I was there. Also there in 1985 were EBTG (Tracey Thorn was in Glasgow a few weeks ago promoting her book) and the fantastic Misty in Roots who I missed when they played the ABC in Glasgow this week. Dick Gaughan is a stalwart of the Scottish folk scene, particularly known for his political songs. Once a member of The Boys of the Lough he usually sings unaccompanied except by his acoustic guitar, of which he is a fantastic player. If you don't know his stuff the album 'Handful of Earth' would be a good place to start. Between songs he talked about a variety of issues. He spoke of his longstanding support for Scottish independence and of his frustration at the conflation in the current debate with supporting independence and supporting the SNP. It is an important point being lost in the independence debate that self-determination by definition means we get to decide what type of Scotland we want to live in - not just the SNP vision that is being held up as the inevitable consequence. His other interesting nugget was regarding Thomas Muir of Huntershill and the theory that this political reformer was an inspiration for Robert Burns's 'Scots Wha Hae'. I'll listen to that song again a bit more closely with that insight. The best songs of the night were some of the political ones which seemed as relevant today in Tory Britain as when they were first written. No Gods (and Precious Few Heroes) was a stand out song.

Funky furniture at The Poetry Club
Two days later I ended up at the Poetry Club to see the comparatively young Momus (aged 53). This space is run by artist Jim Lambie (no relation to Partick Thistle's legendary manager I believe). Hidden away amongst some industrial spaces under the railway arches at Yorkhill beside SWG3 it is a cosy wee space decked out in popart-style tables, with the smoke machine hidden in a steam train on the wall. It feels quite groovy and hip, but author/ comic book writer Grant Morrison was the only groovy and hip person I spotted there. Momus is the pseudonym of Nicholas Currie (at this point it is compulsory to point out that he is the cousin of Del Amiti's Justin Currie). He wobbled about on stage, spouting his thoughts over an electronic backing track and video. Whilst his references all sound interesting (Saki, Dostoyevsky and Grace Jones all being mentioned) I really don't think he is saying anything about these people and their ideas except name-checking. I had the same problem when I read his books, in particular The Book of Scotlands which was distracting enough but ultimately had nothing to say. His performance had the same problem for me. I don't mean everything needs to have an agenda, but it is a fine line between 'art for art sake' and feigning depth.
Sometimes I think people need to be a bit angrier about stuff, or at the very least get a bit peeved. No?

Sighthill Stone Circle with Glasgow Uni tower poking over the horizon in one direction...

Anyway if you feel mildly irked by anything, I would suggest getting out and moaning about it publicly. Why not start with Glasgow City Council's plans to rip up the often ignored stone circle at Sighthill, if for no better reason than that its construction wound up Maggie Thatcher? You could do worse than head to The Platform on the 27th of July to see a fantastic line up of acts "tut" disapprovingly at these plans. Tickets here.

Sighthill Stone Circle with Sighthill tower blocks poking over the horizon in the other direction

Monday 24 June 2013

15km Route Around Points of Interest in the History of Science in Glasgow

Run, Walk or Cycle Around the History of Science in Glasgow

The aphorism goes that "Glasgow built the Clyde and the Clyde built Glasgow". Basically this is saying that Glasgow deepened its shallow river to make it navigable to ocean going ships (in a scheme devised by James Watt). They made good use of this port city facing America. The wealth that the tobacco and cotton trade brought into the city led to an explosion in its size, its innovation and industrialisation. Further dredging and deepening of the Clyde led to the local resources that produced a booming steel industry to create a ship building industry and engineering expertise which has produced 25,000 ships on the Clyde and its tributaries. The city of 77,000 people in 1801 housed 784,000 people a century later. So in the end, the Clyde built Glasgow.

This growth went in tandem in the 19th Century with the city taking over Edinburgh's mantle as Scotland's scientific and engineering powerhouse. The city houses Britain's fourth oldest University, founded in 1451, which was the source of many important ideas, inventions, instruments and individuals in the history of science. However I think that there is scant evidence of these people in today's cityscape. When I was a student at Glasgow University we regularly had lectures in the ugly, utilitarian, concrete building on University Avenue near Byres Road called the Boyd Orr Building. Not once whilst sitting in there did I ever wonder who Boyd Orr was and this I think shows up one of the problems here, that the history of science in Glasgow gets very little commemoration or celebration. I can't remember there even being a plaque informing anyone wishing to know who the man was.
Boyd Orr building 1971 just after completion, partially-demolished tenements that used to line this part of University Avenue in the foreground
John Boyd Orr was born in Kilmaurs in 1880. He qualified from Glasgow University with degrees in arts, medicine and biology. A decorated veteran of the First World War he established the Rowett Institute in Aberdeen in 1919. His research was in nutrition issues and he was involved in the UN and peace organisations including CND. For his work he was awarded the Nobel Peace Prize in 1949. So there you go, the building is named after one of Scotland's 10 Nobel prize winners.

So to point out a few other names you may vaguely remember from school physics lessons, here is a wee 15 km route around some Glasgow science points of note that you may care to walk, run or cycle around. The route I came up with pretty much copies the National Road Race Championship 14.5km route used by the cyclists in Glasgow this weekend. It starts at Glasgow University, heads through Kelvingrove Park to Park Circus, then down through town to George Square. Next up Montrose Street and down High Street to Glasgow Green. If you missed the cycling then make sure you don't miss it when they return for the Commonwealth Games Road Race through the streets of Glasgow next year, it was a fantastic spectacle (here's a few snaps that I took on Sunday).

Let's start at the Boyd Orr building then. Co-incidentally this is the building in which I met another of Scotland's Nobel prize winning scientists when I was a student. James Black was a doctor and pharmacologist, born in Uddingston in 1924, he went to Beath High School in Cowdenbeath (alma mater of my mater-in-law and Ian Rankin, by the way). He established the physiology department at Glasgow University Vet School. Interested in the effect of adrenaline on the heart he developed the drug propranolol, the first beta-blocker and then later he developed cimetidine which revolutionised the treatment of stomach ulcers. These were two of the world's best selling drugs ever. He was awarded the Nobel Prize for medicine in 1988.

11 University Gardens
Whilst on this side of the road go up the hill a wee bit to University Gardens and just along from the QMU at number 11 (George Service House) is where Frederick Soddy (1877-1956) coined the term 'isotopes' whilst here at his father-in-law's house. According to the plaque hidden amongst the branches under a window "he introduced the idea whilst at a dinner party in this building." Soddy was an English chemist who lectured at Glasgow University from 1904-1914. During this time he also came up with other important theories about radioactivity such as the "displacement law" for alpha particle emission. He was awarded the Nobel Prize for Chemistry in 1921. A plaque commemorating his work is also inside the university's chemistry building so head there next.

Work on an extension to the Joseph Black Building in the 1950s halts whilst underground mine shafts are made safe. They can still be accessed from the basement of the Chemistry building apparently.
 Trot across University Avenue and back down the hill to the Chemistry Building, which since 1997 has been called the Joseph Black Building. A large plaque to Joseph Black (1728-1799) can be seen on the wall of the building facing University Place, a building which now carries his name. When he worked in the university it was still in its pre-1870 location on High Street. A medieval university it was part of a complex beside Glasgow Cathedral at that time.
Plaque to Joseph Black
Black was a physician, physicist and chemist who discovered carbon dioxide in air and developed the concepts of latent heat and heat capacity. These were important principles in steam formation - describing the extra energy required to change water from its liquid to gaseous state. In his experiments with steam engines he worked alongside James Watt.

The Botany Gate here is usually open and you can head into the University and back past the Kelvin Building of the physics department, past the Zoology building and left passing pharmacology, physiology and biochemistry. Head towards the main University building. Designed by George Gilbert Scott in neo-gothic style, it opened in 1870. Going left before the main building you'll enter Professors' Square. Lord Kelvin taught at the University in both its sites and you can see the house here that he used to live in, at No 11. This was the first house in Glasgow lit by electric lighting.
Lord Kelvin's house from 1870-1899
Go east towards the gates which commemorate the 500th anniversary of the university in 1951, with the names of various alumni of the Uni's past up there (but only one woman who was a wealthy benefactor rather than a graduate - Isabella Elder, owner of Govan shipyard). Behind this, looking for all the world like a war memorial lies a monument commemorating William Hunter (1718-1783) and his brother John (1728-1793), anatomists and surgeons born in East Kilbride.
Hunter memorial, University of Glasgow
William studied in Glasgow. He became famous as an obstetrician and anatomist and was physician to Queen Charlotte. He left his vast collection to Glasgow Uni which can be seen in the Hunterian Museum, the first public museum in Scotland, which currently lies in the building behind this monument. In the museum there is also a permanent exhibition on Lord Kelvin and some of his, Joseph Lister and James Watt's instruments on display and a marble statue of James Watt. If the Uni is open you can run down the back way, towards the south-east corner of the University where a gate behind the James Watt engineering building leads onto Kelvin Way. Here you'll find statues of two of Glasgow's leading lights. If you have to head back out to University Avenue instead, going towards Kelvin Way you'll pass a wee building on the right, the Pearce Lodge.
Pearce Lodge
This is one piece of the old university building that was salvaged from the High Street and transferred to the new university site (along with the Unicorn stairway in Professors' Square), funded by the wealthy owner of Fairfields shipyard at the time, Sir William Pearce. Across the road from here is the Rankine Building, which looks like a 70s car park with an abstract metal sculpture down one wall (by Lucy Baird which apparently draws on the history of civil engineering). This building houses the University Department Engineering. William John MacQuarn Rankine (1820-1872) was a contemporary of Kelvin at the University. He worked on establishing the science of thermodynamics, developed ways to solve the force distribution in structures and became a Professor of Civil Engineering at the university.
Statue of Lord Kelvin
Okay, so whichever way you came, halfway along Kelvin Way you'll find two statues on the right. The first statue is of Lord Kelvin. Belfast-born William Thomson (1824-1907) was made Professor of Natural Philosophy at Glasgow University aged 22 and carried on working at the university for the next 53 years. His initial interest in high science later turned to more practical engineering problems (which ultimately made him a wealthy man) such as the first trans-Atlantic cable and a marine compass design. He formulated the laws of thermodynamics and mathematically calculated "absolute zero", the scale of which immortalised his name in the units Kelvin. He took his name, of course, from Glasgow's second river, which runs nearby when he became a Lord, rather than the other way around. On the rear of his seated statue are some of his inventions which brought him his fame/wealth. He is buried in Westminster Abbey beside Isaac Newton.
Statue of Lord Lister
Seated a few yards away is a more elegant statue of Lord Lister (1827-1912), surgeon and pioneer of antisepsis. Joseph Lister worked at Glasgow Royal Infirmary where he used carbolic acid to clean wounds, surgeons' hands and surgical instruments to try to reduce the dangers of infection. He also used to spray it into the air with carbolic acid during surgery to clear the air, a concept which has fallen from favour. This was all based on contemporary work in Paris by Louis Pasteur on micro-organisms. The wards where Lister worked were demolished in 1926 although he is immortalised by this statue, the Lister Building at Glasgow Royal Infirmary, a disease named in his honour (Listeria) and of course, a mouthwash.
No 6 Park Gardens
Right. Head into Kelvingrove Park, past the fountain and up the hill going right when you come to the statue of a lion killing a peacock, towards Park Circus. If you've emerged at the correct exit you'll appear at No 6 Park Gardens. This is where Albert Einstein stayed briefly in 1933 (the year he decided he could not return to Nazi Germany) when he was in Glasgow to give a lecture and accept an honorary degree at the University. A photograph of him emerging from the door here can be found on the wall of the post office at Charing Cross.

Albert Einstein on the doorstep at Park Gardens (No. 6 not 5)

The MacEwan's house at No 3 Woodside Terrace, Glasgow

Carrying on along this road it becomes Woodside Terrace. Number 3 was home to eminent surgeon William MacEwan (1848-1924). He was a student of Lister and introduced the practice of wearing of white coats by doctors which could be sterilised. He is remembered for MacEwan's triangle and MacEwan's sign by surgeons. Do you like the high kerb for getting into your carriage from these swanky residences? Isabella Elder's grander house is now incorporated into the terrace further back here.

The Hooker house at No 10 Woodside Crescent, Glasgow
Further along the same road at 10 Woodside Crescent (it keeps changing it's name) a plaque marks the home of the Hooker family. William Hooker was Professor of Botany at Glasgow University and later first director of the Royal Botanical Gardens at Kew. His son, Joseph Hooker studied at Glasgow University and became the pre-eminent botanist of his day. He travelled the world bringing specimens back Britain such as the rhododendron (thanks for that one!) and was a close friend and the foremost defender of Charles Darwin and his ideas. Funnily enough one of the most pre-eminent opponents of Darwin's theory of natural selection was Lord Kelvin, proving that you can't be right all of the time.
No 17 Woodside Place, Glasgow. Home of Joseph Lister 1860-1869

Continue around the curve of the road onto Woodside Place where a plaque outside number 17 marks the fact that Joseph Lister lived here. From here head back to Charing Cross, just at the pedestrian bridge and go north up St Georges Road. A left once you come to West Princes St, then a quick right should bring you to the childhood home of Scotland's first Nobel Prize winner.
No 2 Queens Crescent, Glasgow, childhood home of William Ramsay

William Ramsay (1852-1916) was born at 2 Queens Crescent, Woodlands, now home to Visibility, an organisation helping the visually impaired. He won the Nobel Prize for Chemistry in 1904 for his discovery of the inert gases (argon, neon, krypton and xenon). Before heading into town swing past 63 West Princes Street (the yellow sandstone tenement in the background of the above photograph) where Marion Gilchrist was murdered in 1908. Oscar Slater was notoriously fitted up for her murder.

That's enough floating about the westend. Head towards George Square now in town. If you want to pass the Athenaeum Building at 8 Nelson Mandela Square en route you'll see one of the city's innovators most frequently immortalised in sculpture (he is remembered in at least 8 statues and carved portraits around the city - see footnote). On the left hand side of the building which is currently used by the Blood Transfusion Service is James Watt (1736-1819). With his hand on the shoulder of a youth he is sitting beside a steam condenser with a governor mechanism in his hand. So carry on to James Watt's statue in the south-west corner of George Square which I've mentioned in another blog (follow link for info/photo). James Watt was born in Greenock. Apprenticed in London as a scientific instrument maker he returned to Scotland to work at the University of Glasgow, on the High Street, aged 20. When asked to repair a Newcomen steam engine by Joseph Black (above) he came up with his own improvements. He apparently came up with the idea of a separate condenser whilst taking his regular walk on nearby Glasgow Green. His innovations revolutionised the efficiency of the steam engine and lead to incredible industrial advances. He also came up with the concept of "horsepower"and his name is immortalised in the SI unit of power, the watt.

At the south-east corner of George Square is a statue of chemist Thomas Graham (1805-1869) (see previous blog for photo). A graduate of Glasgow University he was an experimental chemist who did pioneering work on the idea of "dialysis" and gas diffusion. He developed "Graham's Law" on the rate of gas effusion. Whilst in this south-eastern corner of George Square you can look over to the City Chambers where standard measures to ensure fair trading in the city can be found, for use by merchants, surveyors, architects and builders. Marked in the ground of George Square are also the standard measures for 100 feet and for a "chain" (which is 66 feet, or 22 yards, or 100 links, or 4 rods and 10 chains make a furlong).
Standard measures in George Square, Glasgow
If you head out the north-east corner of George Square along George Street, and then head left, up the steep hill of Montrose Street (not that Mark Cavendish seemed to notice the incline) you'll see on the right a gap-site with a sculpture by George Wylie of a large nappy pin, the site of the former Glasgow Royal Maternity Hospital, or "Rottenrow" as everyone called it. One of the things every pregnant mother takes for granted now is that they'll get ultrasound scans during their pregnancy or in an emergency, but this is really quite a recent innovation. An engineering company which was originally set up by Lord Kelvin, worked with Ian Donald (1910-1987), Professor in the University Department of Midwifery to develop it here. Ian Donald had an interest from his service with the RAF during the war in sonar. On a visit to Babcock's boilermakers in Renfrew, Ian Donald saw ultrasound being used to look for flaws in metal and he developed a system for using it to look into the human abdomen, and thus, diagnostic ultrasound was born.
The entrance to Rottenrow Royal Maternity Hospital leads to nowhere now
Get to the top of the hill and turn right towards Glasgow Royal Infirmary. Although the hospital was opened in 1794, the building facing you was opened in 1914. If you care to wander around the back near the cathedral you can see that it was built pretty much on top of a graveyard. A plaque on the wall facing Castle Street, just to the left of the Gatehouse Building marks where Lister's wards stood until they were demolished in 1924.
Plaque marking the surgical wards of Joseph Lister at Glasgow Royal Infirmary
So heading south from here down Castle Street you are in the oldest part of the city with the cathedral on your left, which originated in the late 12th Century. The Provand's Lordship built in 1471, on the right hand side of the road here is the oldest house in Glasgow.
Monuments to Wee Willie Winkie and Lord Kelvin in Glasgow Necropolis
If you fancy a quick 200m detour, then pass the statue of Blantyre's famous medical missionary, David Livingstone, that stands in front of the cathedral and go over the "Bridge of Sighs" to the necropolis. Although Lord Kelvin isn't buried in the family plot, as his body lies beside Isaac Newton in Westminister Abbey, a recently erected memorial stone commemorates him. This is just to the left on entering the graveyard and slightly uphill of the memorial to the author of the nursery rhyme "Wee Willie Winkie", William Miller. Oddly enough what they both have in common (along with John Knox who stands atop the hill here) is that neither of them is buried in the necropolis.

Glasgow University was founded in 1451 in the cathedral precinct, and moved further down the hill in 1460 to its High Street site. The bishops of Glasgow served as Chancellors of the University for around 200 years. After 400 years situated here, with the advancement of industrialisation and the encroachment of factories on the site (and I suspect the encroachment of slum housing) they moved to the leafier surrounds of Hillhead in the westend in 1870. The 17th Century university buildings were all demolished to make way for a railway terminus and goods yard. After lying empty for years the land here is currently being redeveloped under the name "Collegelands". This development seems to be the final nail in the coffin for what claims to be Glasgow's oldest pub, the Old College Bar, which is marked for demolition and takes its name from its location beside the old university site. Do you think Lord Kelvin ever popped in here for a quick half?

One innovation that the College building did have was the first lightning conductor in Glasgow, fitted in 1772 by Professor John Anderson under the direct supervision of Benjamin Franklin himself who was in Glasgow at the time. If you carry on down the hill you'll come to the Saltmarket entrance to Glasgow Green. This was the site of public executions until 1865. Glasgow Green had previously housed an early golf course too and is where Rangers Football Club was founded. If you head towards the obelisk, you'll be at Nelson's Column, Britain's earliest public monument to Lord Nelson, erected in 1806, only a year after the Battle of Trafalgar. As 20 foot of it was destroyed by a lightning strike in 1810 it is clear that it still hadn't been realised that there was a wider need for lightning conductors. By 1824 the only buildings in Glasgow which had been fitted with them were the College building, the jail and the Lunatic Asylum.

In 1746 Bonnie Prince Charlie tried to revive the Jacobite cause, rallying his troops at Fleshers' Haugh on the Green. 19 years later James Watt was wandering here when he came up with the idea of a separate condenser for the steam engine. As he wrote in a letter to a friend that "on a fine Sabbath afternoon, in 1765...I had walked no further than the golf-house when the whole thing was arranged in my mind." And thus on this spot the whole course of the industrial revolution changed. To mark the alleged spot where this idea came to him, just on the south side of Nelson's Column there is a stone marking the occasion. The stone reads "Near this spot in 1765 James Watt conceived the idea of the separate condenser for the steam engine patented 1769".

So as the nineteenth century academics did, now head west via one more detour. Choose your favourite bank of the Clyde to run 4km along to the titanium clad Glasgow Science Centre. The north side is a bit more scenic I think - when I ran along it today somebody stopped me to show me two salmon he'd spotted swimming in the Clyde at Jamaica Bridge. The Science Centre is where you start to scratch your head and wonder where in today's Glasgow are all those engineering masterminds of yesteryear. The £10 million Science Centre Tower, Scotland's highest "building" is supposed to rotate on ball bearings in the wind....but it doesn't work, and apparently never will (BBC news). I have been up it on one of the few days that it was open and have a, presumably rare, certificate to prove it. It has a wee cramped, pokey space at the top, the view is marred by the grainy windows, basically don't rush when it re-opens. The Science Centre itself is a good day out for children, plenty of hands on things purporting to teach scientific principles and I would go more often if it didn't cost £44 at present for my family to visit. Ouch! One interesting section in it is an explanation of John Logie Baird's (1888-1946) early design to transmit what we now know as television pictures. Born in Helensburgh he studied at Glasgow Technical College and Glasgow University.
Glasgow Science Centre and tower, by the River Clyde
If you follow the cycle path on the north of the Clyde along to the Transport Museum, then veer off to the right you'll come out near the bottom of Byres Road, and that's you back to the start. To see a map of this route see mapmyrun.com

Q. Can you think of the other seven Scottish Nobel Prize Winners which I didn't mention above? (See below)

Q. There are apparently only three women commemorated in Glasgow by statues. Having just ran this route today I've realised that it passes 2 of them and the house of the third. Who are they? (See below)

Much of the info on the westend locations was found on a blogpost by Ian Mitchell "Glasgow's Square Mile of Science". I also got info from Ray MacKenzie's book "Public Sculpture of Glasgow".
The two old photos of the University are from the University Archive. The other photos I've taken myself on a not very sunny day.
Any mistakes are entirely mine and let me know if you find any I should change.

Footnote 1 - those other Scottish Nobel Prizewinners

  • Alexander Fleming (Nobel Prize for Medicine 1945) discoverer of penicillin
  • Arthur Henderson (Nobel Peace Prize 1934) Labour politician, born in Anderston in 1863 and president of the League of Nations 1932 disarmament conference
  • John James Rickard MacLeod (Nobel Prize for Medicine 1923) born near Dunkeld in 1876, he was part of the team working in Toronto alongside the more famous Banting and Best which discovered insulin. This later allowed treatment for people with diabetes, which until then had been a fatal disease
  • James Mirrlees from Kircudbrightshire (Nobel Prize for Economics in 1996) for his work on "incentives under asymmetric information"
  • Ronald Ross (Nobel Prize for Medicine in 1902), eldest son of General Sir Campbell Claye Grant Ross, born in India in 1857, discoverer of the mosquito transmission of malaria.
  • Alexander Todd (Nobel Prize for Chemistry 1957) student of Allan Glen's School and Glasgow University, later worked on nucleosides (which are in DNA), synthesised ATP and elucidated the structure of various vitamins.
  • Charles T. R. Wilson (Nobel Prize for Physics 1927) from Midlothian who invented the cloud chamber in which the actions of ions can be observed, inspired from his work in an observatory on Ben Nevis

Footnote 2 - those other James Watt statues in Glasgow

  • there may be more, but above I've mentioned the marble statue of James Watt inside the Hunterian Museum, the statue on the Athenaeum Building at Nelson Mandela Square and the statue in George Square
  • one report I read says that the figure on the frieze to the right of the main doors of Glasgow City Chambers representing engineering is of James Watt
  • Strathclyde University have a sandstone statute of him in the foyer at the former Royal College, 204 George Street
  • James Watt can also be found atop the Clydeport Building at 16 Robertson Street in the Broomielaw, with one hand on that bloody "separate condenser" again
  • his face is one of the many adorning the first floor of "Connal's Building", 34-38 West George Street, on the Dundas Street facade
  • a sandstone sculpture of him is in the Winter Gardens enclosure alongside the People's Palace. This one (of him standing leaning on a condenser) originally stood over the gateway of M&J Martin's Atlantic Mills leatherworks in Bridegton. It was moved to a McPhun Park on the Green on their demolition and until it was renovated and moved to its current location, spent several decades without a head
  • on the former Glasgow Academy, then High School then Strathclyde House building at 94 Elmbank Street a statue of James Watt stands in eclectic company. Cicero, Galileo, Homer and James Watt. ("A Scotsman, a Roman, a Greek and an Italian walk into a bar....")
  • finally of course there is the boulder in Glasgow Green where he found his inspiration
  • Watt Brothers department store on Sauchiehall Street was not named to commemorate James Watt's achievements

Footnote 3 - those woman in statues

In George Square you'll pass Queen Victoria astride her horse, then down by the Clydeside is a statue of the Spanish Civil War Republican leader, La Pasionaria, Dolores Ibarruri. Also at Park Circus the route passes the former house of Isabella Elder, owner of Fairfields Shipyard who has a statue in Elder Park, Govan. There may be others, if I've missed any out, let me know.

Wednesday 19 June 2013

Bruce Springsteen and the E Street Band, Hampden Stadium, Glasgow , June 2013

After seeing Bruce Springsteen playing in Glasgow last night I want to write a wee quick review of his concert. Also I am in the lucky position of having seen him twice on the current tour. I wrote about his concert in Sunderland almost exactly a year ago, when he first came to the UK on the Wrecking Ball tour. So I feel I have had the chance to see how he plays different gigs, different shows to different crowds.

I have never really thought of myself as being a groupie of Bruce Springsteen but when I was listening to some of his old albums in the lead up to this gig I was aware not only of how much I liked them, but also how well I knew them. Born in the USA was released when I was 13 years old and was bought by my mum. I liked it and it kind of drifted into my record pile as time went on, along with her Specials album and Zenyatta Mondatta, by The Police. When I was in fifth year at school and at Glasgow University I would browse the various record shops of the west end religiously every single Saturday. You had a fair amount of choice with West End Records in Clydebank and on Dumbarton Road at Partick, the wee second hand shop on Downhill Street opposite the Dowanhill pub (Realistic Records?). There were the two strange brothers with wispy comb-overs that ran the chaotic shop on Byres Road opposite the subway (was it called Echo?), the one on Park Road for weirder stuff, then Lost In Music in Decourcy's Arcade for a lot of independent Scottish stuff, Woolworths on Byres Road was good for 12 inch singles. Later came Stephen Pastel's record shop upstairs in John Smith's bookshop, beside the subway (still on the go as Monorail in town). That combined with HMV, Virgin and Tower in town and my Britannia Music subscription meant that there were plenty of ways to pick up Brucie's back catalogue, usually quite cheaply as most of these shops had big second hand sections. So I worked my way through all his old stuff, got the 5 album live box set (Live 1975/85), a few 12 inch records and picture discs. I had my Clarence Clemons and the Red Bank Rockers album on cassette (which I'm REALLY annoyed I threw out when I got rid of my tape deck - I used to drive about in my Ford Fiesta with "Resurrection Shuffle" blasting away on many a night).

However whilst I was playing his old stuff repeatedly, his new stuff seemed a bit anaemic in comparison. Tunnel of Love I bought but found it a bit too slick and overproduced. When the albums Lucky Town and Human Touch came out I only bought a few of the singles but took the chance to see him live at the legendary atmosphere dampener that is the SECC in Glasgow in 1993. After spending £21 for the ticket I then won 2 tickets in the Daily Record - it never happens when you really need one. He had recently split from the E Street band, didn't seem to engage with the crowd. It was a disappointing night and I lost interest in what he was up to after that.


After that I bought some of the compilations of demo versions and studio tracks that never made it to his earlier albums, things like the 4CD box set "Tracks" and the later double CD "The Promise". This was stuff that I liked and had a connection with and also the "The Ghost of Tom Joad" album seemed to hint that there was life in the old dog yet. Although I didn't buy it at the time, "The Rising" won plaudits for his songwriting managing to connect with a lot of Americans and New Yorkers traumatised by the World Trade Centre attacks. It was also his first studio album with the E Street Band for 18 years. Once he brought out the "Seeger Sessions" albums I bought back into Bruce Springsteen, playing music I knew from my parents Weavers albums and songs I was sung as a child, but delivered with a grin and a stomping energy that seemed to have been lost for a while. Wrecking Ball in 2012 delivered one of his finest albums ever. It is bizarre that some early American reviews described tracks such as "We Take Care Of Our Own" as jingositic. Did they not hear the anger, mocking the response to Hurricane Katrina? It had echoes of Reagan using Born In The USA, missing the point of the song completely because it had a stars and stripes on the cover of the album.

So when he returned to Britain I headed to what I thought would be my nearest gig, Sunderland, 12 months ago. In incessant drizzle he delivered a 3 hour long, high energy performance. I was in the standing area, though not in the expensive, wristbanded pit, and was surprised that so few people around me knew anything more than the big hits. A few were bamboozled by the Clarence Clemons tribute, unaware who the "Big Man" was never mind that he'd recently died. I wrote about it at the time, so I won't go over it again. Here is the setlist that night (I think).
  1. Badlands
  2. We Take Care of Our Own
  3. Wrecking Ball
  4. Death to My Hometown
  5. My City of Ruins
  6. Spirit in the Night
  7. Does This Bus Stop at 82nd Street?
  8. Jack of All Trades
  9. Youngstown
  10. Murder Incorporated
  11. Johnny 99
  12. Working on the Highway
  13. Shackled and Drawn
  14. Waitin' on a Sunny Day
  15. The Promised Land
  16. Point Blank
  17. The River
  18. The Rising
  19. Out in the Street
  20. Land of Hope and Dreams
  1. We Are Alive
  2. Thunder Road
  3. Born to Run
  4. Hungry Heart
  5. Seven Nights to Rock (Moon Mullican cover)
  6. Glory Days
  7. Dancing in the Dark
  8. Tenth Avenue Freeze-Out
45,000 People "waiting on a sunny day" in Hampden Stadium, Glasgow
So a year later we fought our way through the traffic to reach Hampden. As usual he was on stage by 7.30pm with no support act. Hampden was more crowded than The Stadium of Light concert had been, and from the off the crowd were 100 times more lively and engaged. An unexpected sunny Glasgow evening probably helped. Here is the set list from last night (again, I think).
  1. We Take Care of Our Own
  2. The Ties That Bind
  3. Jole Blon (Harry Choates cover)
  4. It's Hard to Be a Saint in the City
  5. Radio Nowhere
  6. No Surrender
  7. Wrecking Ball
  8. Death to My Hometown
  9. My City of Ruins
  10. Spirit in the Night
  11. The E Street Shuffle
  12. I'm on Fire
  13. Tougher Than the Rest
  14. Atlantic City
  15. Murder Incorporated
  16. Johnny 99
  17. Open All Night
  18. Darlington County
  19. Shackled and Drawn
  20. Waitin' on a Sunny Day
  21. The Rising
  22. Badlands
  23. Land of Hope and Dreams
  1. Born to Run
  2. Rosalita (Come Out Tonight)
  3. Dancing in the Dark
  4. Tenth Avenue Freeze-Out
  5. Twist and Shout (The Top Notes/ Beatles cover)
  6. Shout (The Isley Brothers/Lulu cover)
  7. Thunder Road (solo acoustic)
From looking at no more than the set list you can see that he is putting on a different show each night. In Glasgow he spent more time taking requests from the boards people offered up, seemed to be more relaxed and playing what he fancied, what he thought the atmosphere called for. The crowd in Glasgow was warmer, more in tune with what he was doing on stage, clocking songs from the first drum beat or guitar chord. A crowd that is more clued up about his back catalogue seems to get offered up the more obscure early album tracks that I like so much. The Wrecking Ball tracks still stand up with the rest as great songs, great live songs. The extra encore, playing a solo version with the acoustic guitar of Thunder Road, felt like after over 3 hours 45 minutes he still couldn't drag himself away from something he enjoyed doing. For all the free and easy plucking of random songs, when he threw one at the band and they got the intro a bit off, he was quick to stop them and get them to do it right. Later when a stray sax toot trod on a false ending of a song, the tooter was noted by the Boss. He is their Boss, he clearly runs a tight ship and looks for the musicians to get it right every night. Despite sitting at the other side of a stadium from the band last night, it felt much more intimate and connected than when I was standing at the foot of the stage 20 years ago in the SECC. It was a barnstorming performance. He is a fantastic showman and at the moment nobody else does it like this.

Saturday 8 June 2013

Imagined Utopias and Dystopias in Glasgow Theatre

Review : Dalgety by David Greig, Oran Mor, Glasgow

Review : Far Away/ Seagulls by Caryl Churchill, Citizens Theatre, Glasgow

I have always enjoyed the Oran Mor series of lunchtime plays in a Play, a Pie and a Pint. Even if the Scotch pies rather than the old steak pies have been a bit of a disappointment for me the plays this season have been excellent. The last play of this run I'd pencilled in at the start as one to try to catch, Dalgety by David Greig. It was originally written for the strand of political theatre for Theatre Uncut before being brought here. John Bett and Lesley Hart play two officers in a quiet Fife police station trying to finish off their shift to get home to watch the Olympics on TV or to enjoy a lonely bottle of wine. When a naked rambler-type character turns up at the station with a dead deer the world outside changes in a surreal way. The rambler's naked clan set up camp in the land which used to be the Tesco car park but is now a verdant land with the bushes hanging heavy with brambles and dance around as one of them gives birth. Once it is clear that the next shift aren't coming in the older John Bett tries to hold on to law and order whilst the more empathetic Hart goes out to speak to the people. When she decides to join them and comes back on stage completely naked a shocked "ohhhh!" comes from the audience of Kelvinside types caught by surprise. She carries it off with great confidence, relaxed and at one with nature (her dowdy wire-rimmed specs the only thing binding her to her former self). I thought it played about well with our perceived spirit of togetherness we had during the Olympics from the day of the opening ceremony, the campfires they can see from hill to hill telling you that it has spread throughout the land. It was humorous and thought provoking with the avuncular John Bett and an excellent, brave performance by Lesley Hart. I believe it is going to the Edinburgh Fringe if you don't catch the end of this run in Glasgow.

When trombonist Rico Rodriguez cancelled his Friday night gig at Oran Mor as he has a chest infection we took the chance to go and see two short plays by Caryl Churchill which are on this week at the Citizens Theatre. I've never seen any of her work before but would look out for her again after this. As a child we used to come to the Citizens a lot. They used to do a free preview showing on the day before each run, and we often went and queued up outside to get into these. I think they've revived this now with a sale of 50p tickets the day before each preview show, which is good but means two trips to get the cheap tickets. This kind of excludes some people like my family and me who 30 years ago would all have had to make 2 return bus trips from Maryhill to take advantage of this. Just a thought.

Far Away was performed on a beautifully constructed stage set, with excellent music from Scott Twynholm. In short episodes it portrays a dark, imagined future where there is an Orwellian perpetual war going on. A lot of the darkness is from the ambiguity in the air during the piece. In under an hour we are taken from a rural setting where frightening happenings are witnessed in the barn by a relative staying for a while, she is then later seen working in a hat factory, and later the hats are paraded, but on prisoners awaiting "judgement". (The hats, by students and teachers from North Glasgow College, on parade were stunning by the way). Then we are later on back out at the farm where loyalties are doubted and the shifting allegiances of nature and even darkness are debated. The second play Seagulls has another surreal world in which an ordinary woman working in M&S reveals she has telekinetic powers and then heads on a world tour with her pal as her manager. An incredibly original and imaginative moral tale. Her very ordinariness as the main character really stands out and there were excellent performances throughout.

Cottiers Theatre organ

On another note I was briefly in Cottiers Theatre to hear a late night reading by Christopher Brookmyre as part of the West end festival. Since I was last in that building they've really come on apace with restoring the church hall. The roof is now all exposed, they've re-instated the huge church organ and I believe the bell in the tower. Nice venue.