Glasgow International 2018 - Ah, but is it art?

Glasgow International 2018. Festival of Contemporary Art

A quick first impressions review of some of the stuff that is on at the sprawling Glasgow International art festival in the city for the next two weeks. It is an absolute pleasure to have this kind of gala appear in the city every two years, and much of it feeds off of the community of people making art in Glasgow. In the space of a few hours I battered around over 30 different exhibitions at 18 different venues on my bike, and would have kept going if I hadn't needed to get home for my daughter getting in from school, and I still felt that I had barely scratched the surface.

Maybe by Urs Fischer

However, it must be said that a fair amount of the stuff on show this year is high in concept, low on execution. If it takes you longer to read the accompanying blurb than it does to ponder the work itself, that's not usually a good thing. Sometimes you need no explanation, such as with the fabulous pair of mechanical (and very life-like) snails crawling around the floor of the Modern Institute's Aird Lane space. "Maybe" by Urs Fischer makes you laugh, makes you linger and is beautifully executed. Another highlight for me is found in the main space on Osborne Street of the Modern Institute, given over to the powerful post-modernist images created by Duggie Fields.

Inside Oxford House

Less successful are the many exhibits at House For an Art Lover, the Oxford House and Stallan-Brand Architect Office beside the Sherriff Court, and the Savings Bank on Bridge Street. However even in these places it is at least a chance to get inside these beautiful and fascinating Glasgow buildings not always open to the public.

Toby Paterson's Pallisade on High Street

Nicolas Party's big purple head outside Aird Lane and Toby Paterson's "Pallisade" outside the old Linen Bank on High Street are colourful distractions, whilst Turner Prize winner Lubaina Himid's jolly dragon which stretches across the main hall in Kelvingrove Art Gallery looks like the kind of bland decoration you would find in a department store during some nondescript festival.

More head scratching ensued when we came across the combined efforts of eight artists in the Botanic Gardens glasshouse. I really did not feel that it explored either the "paradoxes relating to the interplay of global and local forces upon the communities and places of Glasgow" or the "heterotopic space containing its own oppositions; interior and exterior, nature and culture, global and local." Equally disappointing was Lauren Gault and Sarah Rose's "Sequins" floating in the Forth and Clyde Canal, resembling little more than the other detritus floating nearby.

In the Kibble Palace, Glasgow

One exhibition where it was productive to read the accompanying blurb was in the Briggait, where Montreal-based artist Nadia Myre had riffed on the once upon a time sizable Glasgow industry of clay tobacco pipe production. With old pipe stems fashioned into various other items it raised questions about colonialism and waste and was a rare instance of concept and execution coming together to create something memorable.

Soft Measures by Kapwani Kiwanga

Ciara Phillips's prints in Glasgow Print Studio were beautifully presented and fascinating to see, and also worth seeing were the sculptural creations of Kapwani Kiwanga at Tramway, lumps of granite suspended on curtains of fabric. Next door in the main hall at Tramway Mark Leckey had a solitary carved figure, a blown up version of an 18th century figurine, facing off against a video of his cavities being explored, all perfectly entertaining once your eyes had adjusted to the gloom.

Nobodaddy by Mark Leckey

Two highlights for me were the photography on show at the Hunterian Art Gallery at Glasgow University and that on show at SWG3. German photographer and film-maker Ulrike Ottinger has an extensive exhibition of bizarre and unsettling photographs, evoking cabaret acts and freak shows, on show alongside some of her films at the Hunterian. At SWG3 Hugo Scott's street photographs are full of humour and interesting characters, each one a short story.  Also worth seeing at SWG3 were the sculpture in the main hall from Richard Wentworth and Victoria Miguel, and across the lane the creations and collages of punk designer Judy Blame.

A Roomful of Lovers by Richard Wentworth and Victoria Migual

The Gallery of Modern Art has a jumble of interesting ideas and images, nine artists collectively displayed under the name Cellular World, but it all feels rather disjointed. If you rummage about in the main hall there are some interesting bits and pieces among all the clutter, Joseph Buckley's concrete wall I found the most engaging.

Cellular World at GOMA 

Finishing off my day at The Common Guild felt like a gentle palate cleanser after the barrage of stuff earlier in the day. A solo exhibition by German artist Katinka Bock, a collection of small, quiet, clay and, slowly oxidising, bronze sculptures.

There are two weeks to go, and at times it is a bit hard to sift out the wheat from the chaff, but there is surely something there for all tastes. Just keep looking.

Glasgow International 2016, a Festival of Contemporary Art

Yet again Glasgow International rolls into town, a two week festival of international contemporary art, which arrives here every second year. There are dozens of exhibitions and events on the go until April 25th, which does cause a bit of stress to a completist like me. However to maybe help you chose what to see I will give a quick review of the stuff I have managed to see in the first couple of days. One of the best things about Glasgow International is that it is all free.

West End

I started out at the Hunterian Art Gallery at the University of Glasgow. Apart from a small Glasgow International exhibition, there is an excellent exhibition upstairs here on the history and influence of comic books, including possibly the world's first comic book from 1825, The Glasgow Looking Glass.

Work by William Hunter, anatomist

Work by Damien Hirst, sort of artist

The theme of the exhibition here is to show "moments of mutual synergy" between science and art. What it does show is that the 18th century anatomical casts of a truncated pregnant women and illustrations from a 19th century textbook of histology are far superior works of art than Damien Hirst's Necromancer display cabinet.

Kelvin Hall , Glasgow

The Kelvin Hall is currently undergoing refurbishment before opening next year as the new home of the Hunterian Museum from Glasgow University. Whilst it is still a building site the foyer has been used during Glasgow International to house works by Helen Johnson and Claire Barclay. I'm afraid I was drawn as much by the chance to sneak a peek at the building wrk inside the building as by the artworks on show, but I was impressed by both.

A crumbling room in the Kelvin Hall

Both artists on display here used history as inspiration with painter Helen Johnson creating large canvases riffing on scenes from Ovid's Metamorphosis and reflecting on colonialism (this was the site if the Great Empire Exhibition), and upstairs Claire Barclay's elaborate sculptures reflect on the 1951 Exhibition of Industrial Power from the Kelvin Hall in 1951, but also from the annual carnival that used to be held here.

Claire Barclay's sculptures at the Kelvin Hall

Across the road from the Kelvin Hall, Kelvingrove Art Gallery and Museum was built for the Glasgow International Exhibition of 1901.

Kelvingrove Art Gallery and Museum, Glasgow

Upstairs on the balcony, opposite to the organ is a small, but interesting exhibition by Aaron Angel , who also has pieces withing the Botanic Gardens this year. These sculptures (The Death of Robin Hood) reflect pastoral crafts, but skillfully executed and tie in with a program of organ recitals within Kelvingrove.

Four sculptures by Aaron Angel in Kelvingrove Art Gallery

Kelvingrove pipe organ viewed through the sculpture

City Centre

Trongate 103 is a hive of activity with Glasgow Print Studio, Transmission Gallery and Street Level Photoworks all holding exhibitions. Most eye catching is the stuff at Project Ability, an arts organisation supporting people with disabilities and mental health problems. They have a series of drawings by American artist Derrick Alexis Coard, imagined portraits of bearded African-American men. They leap off of the page with colour and vigour, really enjoyed seeing them. 

Work by Derrick Alexis Coard in Project Ability

Further up High Street, in what is being called "Civic Room", a former British Linen Bank building in danger of vanishing unless it is looked after, is the work of Brazilian artist André Komatsu. In an early example of Victorian concrete an steel construction, he exhibits Disseminacao Concreta, a life sized clothed body of a man, made from concrete boulders. At the from of the building he also has a piece, Borders 1, on display.  I really liked this concrete man, particularly in the shabby back room of this former bank, with the steel door of its safe behind his carcass. It is a lovely use the building

Former British Linen Bank, High Street Glasgow

Disseminacao Concreta by André Komatsu

At their Aird's Lane gallery the Modern Institute have a collapsed steel framework by Monica Sosnowska, modeled on a structure from an Eastern European scheme, with more twisted metal sculptures outside, whilst at their Parnie Street gallery a child-like talking desk critiques the world of art production and distribution. The work is by Joanne Tatham and Tom O'Sullivan and looks like the result of a weekend of brainstorming by the Ikea design team when someone sneaked LSD into their tea.

A Petition for an Enquiry into a Condition of Anxiety at the Modern Institute

Monica Sosnowska's work outside the Modern Institute, Aird's Lane

The main hall at the Briggait has a sculpture made of polythene sheets suspended from the ceiling by Heather Lander and Simon Harlow. This may be more impressive when seen at night when they have projections on them. Also in the Briggait are sculptures and drawings by Jock Mooney, which look set for a religious ceremony created by a comic book artist in the style of Frank Quitely.

Part of Jock Mooney's exhibition

There is more humour in the excellent exhibitions within the Mitchell Library. In the main hall Tamara Henderson's giant, totemic scarecrows inhabit this great big space. The gallery invigilator encouraged me to sit in the dilapidated car in the middle of the room to watch the video that goes along with it all. Upstairs in the Jeffrey Room, incongruously set amongst the shelves of leather bound books the works of Jacob Kerray and George Ziffo look like home made banners from a football match but riff on subjects such as racism and commercialiation. This was one of my personal favourites of my day.

Jacob Kerray and George Ziffo at the Mitchell Library

At the CCA Pilvi Takala has multiple video works on display looking back over ten years of work. They are humorous, silly and very engaging, such as trying to get into Disneyland dressed as Snow White, and being refused. I am not always a big fan of video artworks as I am too impatient at times but these are worth watching. Also there is a wall of posters for lost pigeons. Have you seen any of these birds? Some of these have been posted around Glasgow, haven't they, or am I imagining that?

Pilvi Takala

Within the Reid Building at Glasgow School of Art I really liked Serena Korda's suspended fungi, which are accompanied by musical chanting that you hear through headphones whilst walking around if there is not a live performance on the go. Her archival material in the room next door is fascinating too.

Serena Korda's Hold Fast, Stand Sure, I Scream a Revolution

I like the pop art inspired works by Emily Mae Smith on near St Enochs Square at Mary Mary Gallery. Bright, cheerful, but also with dark hints within them. I liked the marching broomsticks from Disney's Fantasia posed like Andy Warhol's gun-slinging Elvises. Pop culture reference overload. 

Emily Mae Smith at Mary Mary Gallery

There is plenty to see in the Gallery of Modern Art too, with the main hall filled with sculptures, paintings and videos by Cosima von Bonin. She was born in Kenya and lives and works in Germany. Her works have lots of toy-like sea creatures and "Missy Misdemeanor, the vomiting white chick" who sits astride a huge pink rocket. Tessa Lynch's sculptures upstairs are interesting too and the blurb that goes with it talks about the "questionable existence of the female flaneur, or flaneuse". It is a funny idea to find questionable when the city is ideally set up just now for male and female flaneurs to wander aimlessly, stumbling across things and just observing people. 

Sculpture by Cosima von Bonin at GOMA

Southside

House for an Art Lover, Bellahouston Park

A cluster of exhibitions sit in the "Artpark" buildings that sit alongside Charles Rennie Mackintosh's House For An Art Lover in Bellahouston Park. I didn't know this place existed and it has a fantastic permanent exhibition on the heritage, architecture and history of the are, including the shipyards which I spent most of my time here at to be honest. Gabriella Boyd and Marco Giordano fill one shed with engaging paintings and sculpture. For the other works here, I was more impressed with the buildings and gardens, where the hyacinths are just beginning to flower with their distinctive smell that you either love or loathe (*metaphor klaxon*).

Artpark at House for an Art Lover

Artpark at House for an Art Lover

Scotland Street School Museum, again an overwhelmingly impressive building by Charles Rennie Mackintosh, has a small exhibition in their ground floor gallery space next door to the cafe. This shows work from the varied career of Glasgow born artist Raoul Reynolds. I had never heard of this interesting character. He was born in 1882 and led a nomadic life between Glasgow and Marseilles, and died in New York in 1969. His father was a shipyard owner and his mother from a Marseilles manufacturing family. He was influenced by European avant-garde art movements but doesn't ever seem to have fitted in anywhere. His life story turns out to be more interesting than his work if I'm being honest, with hints of someone having more money than imagination. Perhaps I am just being over cynical. 

Work by Raoul Reynolds at Scotland Street School

There are several major exhibitions on at the nearby Tramway, a group show including work by Alexandra Birken, Lawrence Lek, Sheila Hicks, Mika Rottenberg and Amie Siegel. The premse of the exhibition is to explore ideas around production, manufacture and history. Like the exhibitors in the Kelvin Hall the interactions with the building's history is part of that. Many of the spaces used in Glasgow for studio space and galleries are disused industrial spaces, such as this massive tram depot on the southside. Many of the works here are meant to be using that idea, but most of them weare video works and I didn't have the patience to sit through them. I admit I wasn't in the most receptive frame of mind after just being stopped by the Police on the way here for jumping a red light on my bike. At the subsequent set of lights (which were green) two pedestrians then just about bundled me off of my bike by not noticing me. I arrived at the Tramway in a peevish mood. However I was still a bit disappointed by it all. On a side note, could someone at the Tramway think about installing a few cycle racks in the vicinity, there aren't many easy places to chain up a bike nearby. Ta.

A sculpture made of coloured linen by Sheila Hicks at Tramway.

 Also in the Southside, Glasgow graduate Josée Aubin Ouellette has a display of ergonomic soft sculptures on the floor of the pool at Govanhill Baths. You are encouraged to put on a pair of felt slippers and go down and loll about on these pieces. I preferred to nostalgically stare at the wooden changing cubicles lining the pool, remembering my childhood swims in Whiteinch Pool. 

Govanhill Baths, Glasgow

Who knew that there was a Roller Disco in Kinning Park? (Oh.Well I didn't know). This is the scene for performances by Asparagus Piss Raindrop, the self proclaimed "crypto conceptual science fiction anti-climax band". I have seen them perform before at the Glasgow Tectonics festival and they usually tread a fine line between taking themselves very seriously and being very silly. I am not sure whch side of this line they've fallen this time but I liked the idea of them performing on roller skates to electronic music and live percussion and saxophone. It feels like an unsuccessful 1970s dystopian film that failed at the box office because of the poor special effects and I would not have been surprised to see a young Donald Sutherland with handlebar moustache appear amidst the chaos. Whilst five of them kept skating around and performing three others acted as a transvestite, a saxophonist and compere. You get the gist.

Asparagus Piss Raindrop at Roller Stop, Glasgow

Asparagus Piss Raindrop at Roller Stop, Glasgow

What else?

There is a fantastic amount on show all over the city, much more than I have mentioned here. I plan to head to the Glasgow Sculpture Studios and Glue Factory in the north of the city and to the David Dale Gallery in the east end. I also fancy going back again to see the works at the Art School, CCA and the Civic Room which were some of my highlights.

The Turner Prize and Other Exhibitions in Glasgow

Art Galleries in Glasgow and the Turner Prize Exhibition

With the annual jamboree of the Turner Prize visiting Glasgow at present a few national newspapers have done "What to see in Glasgow" sections, which have been a wee bit on the unimaginative side I have to say. So I wanted to have a quick run around some of the galleries in Glasgow that I like to visit in order to encourage other people to go and have a wee look at them from time to time. As attractions go these Glasgow galleries generally have the advantage of regularly changing their exhibits, so that if there is nothing that you fancy when you visit, there'll be another one along soon. Also they are usually absolutely free to visit.

Glasgow has established a reputation for being home to some of the best and most imaginative contemporary artists in Britain, often referred to as the "Glasgow miracle". The galleries in the city, and their visitors, have been an important part of that.

Kelvingrove Art Gallery and Museum, Glasgow

Kelvingrove Art Gallery and Museum

Anybody wanting to find art in Glasgow should start at Kelvingrove Art Gallery and Museum .

Main Hall at Kelvingrove Art Gallery

Alasdair Gray often talks about his childhood visits here starting him on his road to becoming an artist and like many people I can remember being brought here with my school class and being asked to pick an exhibit from the galleries and draw it for their regular competitions. The museum lies on Dumbarton Road in the west end of Glasgow. Opened in 1901 as The Palace of Fine Arts for the Glasgow International Exhibition of that year it has been an integral part of the city ever since It is where my great-uncle Andy who worked in the shipyards liked to take my mum for a day out and where I have spent many days with my own children. I really don't visit it as often as I used to since it re-opened after refurbishment in 2002, I knew the dusty old layout like the back of my hand and felt it lost a bit of character with the revamp. However it remains the most visited museum in the UK outside of London, a great advert for free entry to museums. 

As well as an impressive collection of French impressionists' paintings and Dutch and Flemish art there is a large collection of Scottish art on permanent display. This includes a small selection of works by the Scottish Colourists and a room of works by the Glasgow Boys, a loose alliance of about 20 artists from the 1880s. However many people come specifically to see one painting, Salvador Dali's Christ of St John's on the Cross. A controversial acquisition in 1952, at one time attacked in protest, it has proven to be a very astute purchase by then director, Tom Honeyman. I presume that any controversy over Dali's depiction of Christ has died down, as when I went to see it last week there was a nun sitting alongside me inspecting it.

Salvador Dali's Christ of St John on the Cross

Downstairs there is a temporary exhibition space, which charges an entry fee, currently for an exhibition on 19th century fashions.

Hunterian Art Gallery

Hunterian Art Gallery and Mackintosh House, Glasgow

Not far from Kelvingrove Art Gallery is found another fine collection of world class paintings. The University of Glasgow is home to the Hunterian, one of Scotland's oldest public museums, founded in 1908. The collection is currently displayed on two separate sites within the university, although part of it will soon be moving to a new space in nearby Kelvin Hall (opening summer 2016). It was founded with a bequest from 18th century anatomist Dr William Hunter and has many artifacts collected by him on display in the museum, which is housed in the main university building. Across University Avenue in a modern building beneath the high towers of the University Library is The Hunterian Art Gallery. 

Works by Joan Eardley in the Hunterian Art Gallery, Glasgow

Behind the large metal doors designed by Eduardo Paolozzi  are paintings from the likes of Rubens and Rembrandt. The Glasgow Boys and Joan Eardley are well represented and there is a fabulous selection of works from the Scottish Colourists. This includes one of my favourite pictures in the world, Les Eus by JD Fergusson, a huge and joy-filled canvas painted about the same time as Matisse's Dance. 

Les Eus by JD Ferguson

Other highlights here are the extensive collection of works by James Abbott McNeill Whistler and by Charles Rennie Mackintosh, the latter of which are on display in a recreation of his (now demolished) nearby house. There are also rotating temporary exhibitions here (currently on animals in the art of George Stubbs and others). In the upper floor there is another temporary exhibition space which houses an ever changing selection of displays which sometimes incur an entry fee, although the current one on Scottish archaeology is free.

The Common Guild 

The Common Guild, Woodlands Terrace, Glasgow

A lesser known gallery space in nearby Park Circus is The Common Guild. Home to a visual arts organisation you can browse through the art books in their library whilst visiting their exhibitions. They use the ground floor and first floor of a handsome Victorian town house as gallery space, usually open from Wednesdays to Sundays. Until 13th December they have an exhibition by German artist Thomas Demand called "Daily Show". As so many people record all sorts of images day to day, on phone cameras he has used a mobile phone camera to record undramatic scenes from daily life and produced large prints of them, from missing roof tiles in an office to clothes pegs on a line. As a camera phone addict myself I enjoyed seeing his take on this sort of thing. I must try harder with my efforts.

Glasgow Print Studio

Trongate 103

The next galleries are all housed in one block in the city centre at Trongate103. At the corner of Trongate and King Street can be found a building where you can see, amongst other things, the fantastical junk sculptures of Sharmanka Kinetic Theatre  (makers of the big mechanical clock in the National Gallery of Scotland in Edinburgh), the gallery space of Project Ability, a visual arts workshop for people with learning difficulties and the Glasgow Print Studio. Here a diverse and constantly changing range of exhibitions make it a place worth coming back to again and again. Having just finished with an exhibition of comicbook art from the world of Mark Millar, they now have on upstairs an exhibition of  etchings and monotypes by Ken Currie (until 18th October). He became known as one of the "New Glasgow Boys" along with fellow 1980s Glasgow Art School trained Adrian Wisniewski, Steven Campbell and Peter Howson.

Dead Finches, Kelvingrove, Ken Currie

There is a lot of death and darkness on show in Ken Currrie's prints, and known for portrait painting his portraits stand out in the exhibition. Amongst images of dead birds from North Uist I did like this one above of "Dead Finches, Kelvingrove" showing that the days of my primary school trips to draw from the Kelvingrove displays live on in this 2015 etching.

Iranian born Jila Peacock's paintings downstairs depicting scenes from the medieval Persian poem The Conference of the Birds were a colourful contrast to what's going on upstairs. Loved them.

Transmission Gallery

Also housed here at Trongate103 is Transmission Gallery. This gallery is often cited as one of the reasons the Glasgow art scene has blossomed in recent decades. Set up in 1983 by Glasgow Art School graduates it aims to encourage, support and exhibit young artists. If you are walking down to get a mushroom burger and some music at Mono, you might be tempted in by some strange offering in the big windows here. At present it looks like they are clearing up between exhibitions or from a Transmission party.


Street Level Photoworks

Next door to Transmission gallery is found Street Level Photoworks, a gallery for local and international art photography. Their current exhibition Surface Tension (until 8th November) shows the work of four artists. I was attracted to the pictures by Karen L Vaughan of east coast fishing villages from Angus to Pittenweem, presented as fragmentary panoramas. 

The Modern Institute

The Modern Institute, Glasgow

Just around the corner from the Tron Theatre on Osborne Street is The Modern Institute which presents a very varied selection of exhibitions from artists which they represent. Currently their ground floor exhibition space is showing works by Merseyside born Michael Wilkinson called Sorry Had To Done. As well as there being plenty of visual fun here, there were pieces that left me stroking my beard in contemplation. I liked the fluorescent strip light bulbs bound together as "fasces" and the huge tower of Lego beside "Dream a Garden", a pile of concrete rubble from a recently demolished tower block in the east end of Glasgow arranged into a neat rectangle. A former tower block resident myself I've watched my childhood home of grey concrete be reduced to rubble recently. I liked the whole range of ideas the title triggered off. 

SORRY HAD TO DONE by Michael Wilkinson, Modern Institute, Glasgow

The Modern Institute have another space across the road from the Briggait on Aird's Lane.

The Centre For Contemporary Arts (CCA)

CCA on Sauchiehall Street, Glasgow

The Centre For Contemporary Arts (CCA) on Sauchiehall Street occupies an old 'Greek' Thomson building and has exhibition space, a cinema, music venues, a vegetarian cafe, a bookshop and arty gift shop. It has been home to the Glasgow avant-garde since the 1970s when it was called the Third Eye Centre. In the late 70s my mum worked in the cafe whilst she was at college. During the school holidays their laid back approach to childcare meant that my brother and me spent a lot of time there when my mum was working: refilling the filter coffee machine, changing the big boxes in the milk fridge or just playing in the gallery spaces. It wasn't me that kicked over the lines of sawdust we didn't realise were an exhibition (that may have been my wee brother).

The Referendum Made Me Horny by In The Shadow of the Hand, at CCA, Glasgow

The current exhibition The Shock of Victory is a sad/ironic look at the world exactly a year after the Scottish independence referendum, including building an archive from the campaign. It is as unusual as you would expect from an exhibition here, but benefits from the viewer spending a bit of time reading the ideas behind the pieces. Symposia, talks and films run alongside the exhibition. Lovely place to have a beer, a coffee or a lunch.

Gallery of Modern Art Glasgow

When The Gallery of Modern Art Glasgow opened in the Royal Exchange Square in 1996 Douglas Gordon that year became the first Scottish artist to win the Turner Prize. Yet the modern Scottish artists of the time, who were successfully exhibiting their works around the world had any works on display in this gallery of modern art. No longer. With the Turner Prize exhibition visiting the city at present at the Tramway, the main hall of the gallery is at present given over to an exhibition of works made in the city since that time. Over twenty artists, including several former winners or nominees for the Turner Prize are on show, starting with the neon signs outside, by Ross Sinclair. I am glad to see such a comprehensive exhibition being put on, whilst some of the space in the museum is closed off for renovation. David Shrigley has some animations on show, paintings and sculptures by Martin Boyce, Toby Paterson Jim Lambie and others fill the hall.

Devils in the Making at GOMA, Glasgow

Upstairs there are exhibitions worth seeing including rarely seen works from the Glasgow Museums archive chosen by modern artists, including a lovely oil painting by Walter Sickert and a painting by Bridget Riley. On the top floor woman in art are highlighted in an engaging exhibition in collaboration with the Glasgow Women's Library.

Glasgow Sculpture Studios

Glasgow Sculpture Studios at The Whisky Bond building

On the banks of the Forth and Clyde Canal lies The Whisky Bond building, now home to numerous studio spaces and the Glasgow Sculpture Studios. Their gallery on the ground floor is open Wednesday to Saturday, making it a wee place to stop off at on your way to get some shopping at SeeWoo or on your walk along the canal to see Partick Thistle. Currently they have some work by Nicolas Deshayes, Darling, Gutter, expanded foam around the hot water pipes of the room, making these blobby shapes also functioning radiators as it were.

Darling, Gutter by Nicolas Deshayes

Tramway

Enterence to the Tramway in Pollokshields, Glasgow

Okay, last but not least, I made it to the Tramway where the current Turner Prize exhibition is displayed. Originally a tram shed built in 1893 the building was made into the Glasgow Transport Musuem in the 1960s when Glasgow decided that trams were the transport of the past (Doh!). As my granny lived in Mosspark we came here regularly to see the vehicles that are now housed in the modern Riverside Museum designed by Zaha Hadid. Since 1988 this old industrial building has been an arts venue and now also home to Scottish Ballet. 

Turner Prize nominees 2015

The main hall at the Tramway has been broken up into large white cubes where the four nominees for this years prize show their stuff. There is a long and illustrious list of past winners and nominees on one wall of the exhibition, from Gilbert and George to Antony Gormley, Damien Hirst and Rachel Whiteread. Then Scottish based artists start to feature regularly like Martin Boyce who won in 2011 and David Shrigley and Ciara Phillips nominated in recent years. Ironically in the year the show is in Glasgow no locals are represented.

I arrived at the Tramway today a bit hungry and the food I got in the cafe was, to say the least, disappointing so I may have looked around the exhibition in a bit of a bad mood. However the exhibition didn't really lift my spirits much. Nicole Wermers spoke of people claiming public space for themselves by putting a coat on a chair, when I would have thought it is usually just that it would be otherwise too hot or a case of dumping it on the floor. To illustrate it with pelts of dead animals stripped of their coats just annoyed me. Then nothing winds me up more than people going on about the paranormal, so a roomful of it from Bonnie Camplin was never going to be for me. Janice Kerbel has some unaccompanied opera singers reciting her words, something I've seen Richard Youngs producing more effectively recently at  Counterflows festival in Glasgow without a nomination for an art prize. The final display is of a showroom/workshop of the Assemble collective about their work in working with a Liverpool housing re-development.

As a visual spectacle the Turner exhibition is a bit earnest and the logo emblazoned everywhere "Show Me Some Thing New" feels a bit at odds with the actual exhibits.

There are plenty of new, innovative, imaginative, thoughtful, fun, interesting exhibitions on in Glasgow just now. I haven't included some galleries which I didn't get to, or which didn't have an exhibition on the days this week I was wandering about such as the Collins Gallery, The Pipe Factory or David Dale Gallery. So go beyond the Turner exhibition to see if you can spot next year's nominees.